Kajol Can’t Save Maa From a Weak NarrativeFronted solidly by Kajol in the guise of a woman who fights fiercely to prevent her daughter from falling prey to an old curse that hangs over the family and their village, Maa is a confused concoction. Faith, fear and feudalism flow into a feminine fable both fantastical and feeble.
The mythological drama pans out in a remote Bengal village – its name is a Punjabified ‘Chandarpur’ and not ‘Chandrapur’ as it would be pronounced and spelled by a Bengali – off a forest that nobody dares to enter. Here, newly-pubescent girls disappear only to return within days without any recollection of what happened to them and where they went.
The killing of the girl unleashes a curse that casts a shadow on all young village girls on the cusp of adulthood. They are hounded by a daitya (demon), a personification of a fearsome giant tree that spreads terror around the zamindar’s mansion that is now up for sale.
The zamindar’s son, Shuvankar (Indraneil Sengupta) – yes, the boy who is allowed to live and branch out – leaves home never to return. He hides his family’s dark secret from his daughter Shweta (Kherin Sharma).
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